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Touched by Fire 3
copper
25" x 12.5" x 3"

Kristin Sweedler's Sculpture Gallery


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Gallery Map
Main Entrance


Male Torso
copper
27" x 12" x 4"


Female Torso
copper
28" x 13" x 7"

Portrait (detail)
copper




Resonance
bronze and steel
21" x 18" x 6"

This piece is about (among other things) the
conception performance and perception of music.


Masks
upper left bronze, others copper

These masks were first sculpted in wax. The bronze (upper left) was then cast with a standard
lost wax process. I used an electroforming process similar to copper plating and a simple hammering process
to make the other three


Checkmate
copper, marble

This combines a chess theme with a meditation on the complexities of social relationships.



Fossil
copper, clay
16" x  10"

Annapolis is on the Chesapeake Bay and it's impossible not to be
influenced by the endless variety of things that wash up on the beach.
This is my attempt at sculpting an ancient (imaginary) species of fish.


Fragment 2
copper
24" x 12" x 6"

The "skin" of this piece is made of very thin electroformed copper. I was
hoping to portray the subject's strength (by sculpting her in metal) but
also her more vulnerable, fragile qualities (by the thinness of the media).
Electroforned copper is quite dense, so you don't have to create a thick
surface to get a solid piece.



Apple Tree
silver, pearls

Highbeam
steel

15" x13" x4"

This piece contrasts the subtlety of the human body with the simplicity and bluntness of the steel.

Fragment 1
electroformed copper
18" x 14" x 7"

This is about trying to remember the face
of someone you've almost forgotten.


 

my steel tree series

My series of tree sculptures is a result of: [a] becoming fascinated by
convoluted trees over the course of my summer hiking
and [b] getting a new oxy-acetylene welding set up.


 

    

  Kim's Mandolin
Steel, copper
24" x 12" x 8"

Celtic Fiddle
copper, brass
5" x 2.5" x.5" (without stand)

A tribute to my fiddle. The Pictish design was generated with CorelDraw

 



Autumn
copper, steel, polymer clay
12" x 12" x 9"

A piece inspired by the intricate
structures that plants produce to protect their developing seeds



Chain of Being
bronze, steel, seashell
14" x 13" x 12"

This piece contains both a natural shell (plated with copper to add strength) and a shell sculpted
in wax and then cast in bronze. It's about the interplay between biological legacy and artistic legacy.


Trilingua

bronze, steel, clayboard
26" x 9" x 4"

A triptych addressing the subject of how subtle
implications of the same word can vary from language to language.


Julia
22" x 12" x 9"
copper and steel

Lately I've been using patinas as a symbolic device. This dark patina is liver of sulfer.

Odalisque
bronze
21" x 15" x 9"

I've been experimenting with the idea of reflecting the
sinuous motion of the human body by sculpting draped fabric

More Cloth Studies

The way a piece of cloth draps is so incidental it seems strange to render it
in such a hard, durable medium.In my work, the image of a bunched piece of
cloth can symbolize the desire to freeze time.

Body Mask #2
copper
24" x 14" x 6"

When I display my copper torsos, I like to hang them
at the same height as the viewer's body, so they seem like a reflection
of the viewer


screen sculpture
a new medium, still in the experimental phase. I find the fact that the object is "there" but also "not there" very intriguing.




Help Me to Understand

polymer clay

this piece was a reaction to the events of
9/11/2001




my ARTIST'S STATEMENT, general ranting, etc.

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